The 3DC’s G+ Hangout Virtual tasting recap

I (Jason/Seamus) owe a huge thanks to Raz for working hard to guide us through the drams, and to Fergus for organizing such a stellar group meetup in the Bay area. All in all, I had the easy part: some basic marketing and logistic coordination to get it up and running, which was made nearly painless by Google.

From my perspective… all in all I consider our first virtual tasting to have been a mild success. While it was great to see so many people gathered for the tasting, I didn’t get the deeper interactions we’ve experienced at more official seated tastings. Our largest hurdle was some of the tech issues with sound, causing some feedback and echoing through much of the event. This helped to focus the 3 larger groups within themselves and treat the camera as merely another observer rather than using the camera to speak directly to the other participants.

So, what went well? Logistically, we were able to gather and get the hangout up and running easily. The kits were all shipped on time and contained the right products. We had enough connection slots for those who wanted to join thanks to organizing in groups to minimize the overall number of connections (hopefully something we won’t have to worry about in the future if Hangouts on Air are rolled out to us).

What didn’t work as well? As noted about, the sound issues prevented clear communication. Some groups rushed through the drams and some lagged behind, creating a disconnect in attempted discussions. I found that the discussions were so chaotic at times, that I was unable to take proper notes in my 3DC Tasting Notebook, leaving me without clear ideas about the whiskies we tasted, just general impressions. And, overall, we didn’t lead as well as we could have.

So… what, then, can we do differently to improve? Glad you asked ;)

First off, I believe any of our future virtual tastings need to be run like a proper conference call (I blogged about how to do this over on my work blog). Defining a specific speaker/host, ensuring everyone is muted unless speaking, and really focusing on guiding a collective tasting will take us far. A free for all is simply too chaotic.

Secondly, while the group environments helped to make the tasting fun for those in the groups, the dynamic unfortunately left our individual attendees faltering about for a bit while the groups talked amongst themselves. Again, this is where a driven leader, combined with controlled and focused groups would help us provide a much greater benefit to all attendees/participants.

I do believe that with a little more effort and a bit more focus we can run some really great and educational hangouts via GooglePlus. The tough part, as I see it, will be in retaining that 3DC personality to ride the line between fun and chaos.

 


Week 16 update- Age your own whiskey

Week 16 came and passed without an update on the whiskey sitting in the barrel I got as part of Woodinville’s “Age your own whiskey” kit. But can you blame me? I mean, there’s been a lot going on with the 3DC, especially as we ramp up into our annual tasting at “Great Western War” (the SCA event in Bakersfield, Ca.).

Have no fear, just because the weeks have come and gone does not mean I missed taking a sample of the distillate. I did indeed take notes, and even pictures to provide you all an update as to how the baby whiskey is maturing in the 1.7 liter oak barrel. The first round of tasting notes after weeks 1, 2, and 3 can be found here if you missed them, or just want to come up to speed for comparison. The initial setup, etc. can be found here.

 

Woodinville White dog, Aged 16 weeks in new American Oak.
(Casked on May 30th, 2011. Sampled Sept. 11th, 2011)

  • Nose: All alcohol. Expected for a 130 proof distillate. Caramel follows the initial shock, the if you can push through, there is a distinct corn mash of the original distillate.
  • Flavor: Chewier mouthfeel than prior tastes. No longer think and watery, but now shows great body and an oiliness expected from a proper bourbon/whiskey. The pallate is still very distillate heavy, but is showing more promise with a far heavier caramel body, though it is followed by a disappointing bitterness.
  • Finish: Caramel, with an increasing bitterness with every taste. Like a vegetable with all the sugars removed.
  • Viscosity: 4
  • Boldness: 4
  • Length of Story: 2
  • Personal taste: C
  • Extraneous notes: Dramatically different from earlier tastes, but still not ‘good’. Needs more time on the oak to mute or remove the bitter after notes. Looking to revisit in late November or December.

 

Overall, I’m not exactly disappointed, but not overly pleased either. I am hopeful that more time on the oak will help it mellow out further and become something worthwhile. Otherwise, I’ll have to admit defeat, bottle it up, and move on to a different distillate to see how a second round fairs.  That, of course, means finding a better raw distillate to work with, with means testing some cask ready samples from various distillers. Oh the pains I go to for this hobby ;)

 


Part the 2 – Freakin’ Frog’s… Raz’ Las Vegas vacation with a slant towards whiskies

In continuation from Part One here

Stop 4: Freakin’ Frog’s. Nestled in a strip mall a couple miles off the strip and just across the street from UNLV, almost hidden, is a little bar. A very special little bar to be sure.

Friday night, Ginger wasn’t feeling all that great and wasn’t of a mind to explore and was considering a nap so I struck out on my own. I walked right up to the front of the Trop and hopped in a cab and asked him to take me to Freakin’ Frog’s on Maryland Blvd. He had no idea where it was. I said the major cross streets were Tropicana and Maryland and if he’d start off I’d pull the addy from the web. He dropped me off in this dingy little strip mall (after passing the place up and having to make an illegal U-ie to get me there) and (despite feeling a bit uncomfortable on the inside) I girded up my loins and put on a smiling mask to the tatted up bouncer and full of 3DC confidence walked on into the bar. It was soul music night and the place was about 3/4 full locals as the show was just getting started I slipped in pretty well unnoticed. This place was definitely a toss back to the 70′s. I noted a set of stairs that (very non fung sui) lead straight up to what looked like an office / store room excepting the fact that there was this old set of theater line poles and a dingy padded rope hung between them barring access to them. The bar itself might as well have been a biker bar, save the clientele was a fairly well mixed set of locals. The bar staff looked pretty tough too, though most seemed on the other side of questionable decisions one might make in one’s youth. I slid down tot he end of the bar by the stairs and asked if there was any way I might be allowed a peak at the Whisky Attic. The barman said I’d need to talk to Adam about that but he didn’t think they were taking anyone up there tonight. He said he’d ask though. He went out and talked to a guy clearing tables and generally being the kind of active engaged manager I can appreciate. He returned and said if I’d wait, Adam would take me up in 10 minutes or so after the room was set for the show.

About half way through the first song. Adam walked on over and said “let’s go”, dropped the rope at the bottom of the stairs and we climbed on up. The room at the top of the stairs was about 15′ X 40′ with a table and chairs to the left and a bar about sectioning off about a third of the room to the right. On the far wall and all the walls beyond the bar were oak shelves. On these shelves were bottle after bottle of different expressions. 750 or so Adam told me and he indicated he had another 300 hundred or so in the office he’d not yet been able to shelf. I asked if I could take pics and he said I could, though in hind sight I think I only took 3 pics in total, so awe struck was I by the selection all around me. He invited me back behind the bar to get a better look at it all as we talked about the 3DC and what his goals were for this collection. I’m not going to go into all that we spoke of, you’ll just need to go talk to the man himself to get all the details.

After looking about and reeling from the realization that I was amongst several hundred drams I’ve never had, I noted a selection from the same distiller / bottler from India and he said he had a special on those, a flight of them for $100. I think I said, “let’s do it”. He then said he intended to change the way I tasted whiskies. Adam, you see, is a professor over at UNLV as his day job and has spent a significant amount of time thinking about the subject. His rationale is that the reason we look, smell, then taste harkens back to our caveman days when we were just trying to suss out whether or not what we were about to ingest was poisonous and that the fact that we acknowledge that he was not intending on killing me and that mankind has thousands of years evolving since those times that perhaps there may be a better way to go about such things. I encourage each of you reading this and that have even a passing interest in whiskies to go and meet and learn from this man on your own or in groups as your druthers dictate, but do so. I don’t expect to be able to do justice to describing his method of tasting, but I will say it works better for me than the 3 or 4 methods I’ve used to date. That and I intend to be using as my primary technique going forward. If you hit me up in person, I might be able to show you, but I don’t have the words to put it to paper so you’ll have to be content with this much.

The flight was 6 bottles from Amrut and we’re all pretty darn spectacular. (I’ve found out that since March some of these drams have started making their way onto American shelves.) I’d heard so many bad things about Indian Whiskey that admittedly my expectations were pretty low, but there was no need for that. 2 were cask strength and 1 of those and 1 other were peated as well. Not a bad dram in the bunch.

.

For the details of the Whisky Attic:
4700 S. Maryland Pkwy
Las Vegas, NV 89117
By reservation only, call 702-217-6794 to speak with Adam B Carmer and make an appointment.


Raz’ Las Vegas vacation with a slant towards whiskies: Part 1

Late last month Ginger and I took a trip to Las Vegas. I’m kind of getting over the whole gambling as entertainment thing these days, but I thought I may take advantage of the town, and the wife being occupied at the games, to explore some dram spots I have heard of in the interim as well as confirm a few that were old favorites back when the dinos walked the earth. Understand that I’ve not been to LV is quite some time, likely 7 years which is like 150 years architecturally in any other town in the world.

Stop 1: An old favorite, the Bellagio. This hotel casino has always been one of the better places on the strip to get a selection of whiskies. Not a remarkable selection, but they have more that any of the other major casinos put on the shelf and for that I recommend them. Any old whisky was not what I’d come for thought, I came for a dram of Loch Dhu (the black whisky). They’ve changed the layout of the casinos over the years and it took a while to find the little bar between the hotel lobby and the theater I have been sending people to for years to get a dram of this quiet still expression. You see back when it first was released to the US Market, Loch Dhu was very inexpensive, something like $25 if memory serves, and the bar manager liked it and bought a pallet of the stuff. Not too many years later, the distillery was bought by the French in order to get another expression and the black whisky fell out of production entirely. You could not buy a bottle today for less than $250, a nice turn if you were an investment collector. I’m not and I’m partial to this dram so I sit down and order one. The tender pulls the bottle and pours the last bit, just about a full shot, into a snifter and tosses the bottle. I then do what I’ve done every time I’ve gone and done this at the Bellagio, I ask if they will sell me a bottle. He says that they can’t do that because that was the last of it and they aren’t expected to get any more. This being the case, and me getting the last dram of the last bottle from that pallet of Loch Dhu, I tell him the story about how many 3DC over the years I’ve sent in to have a dram of this stuff and ask if I could have the bottle he tossed. Needless to say, it’s sitting in a place of honor on my shelf.

 

Stop 2: Nine Fine Irishmen at New York, New York Hotel Casino. This is a finely appointed Irish pub with the obligitory imported pub fixtures and furnishings. I was there for lunch and they were piping in a very good selection of Irish Drinking tunes. Everything from the Clancy Brothers to the Pogues so that bit was very good. The selection of whiskies was better than average and fairly competent in the Irish category. The bar had that tight confined space that usually makes a pub feel right and that you don’t generally get on the strip in Vegas, but alas, something seemed off a bit. I sat at the bar, ordered a Bushmill’s 16 and a corned beef sammy on rye. The food was tasty the dram fine but something was off in this place and I’m pretty sure I know what it was. The bar staff. Sure they were nice enough, but they didn’t seem to know how to run an Irish Pub. After gabbing with them a bit and unavoidably listening to two of them lightly bitch about their schedules, I discovered that the NY rotates the bar staff around the casino daily so they don’t really get to know each bar’s eccentricities and high points. Hell at one point they asked if I needed anything else and I said I’d have some vinegar for my fries if they had any and he responded “what kind?”. In a moment of shock and ill-composure I responded, “I’m sorry I thought for a moment I was in a pub.” He smiled and said “Malt vinegar, right.” That pretty sums up the Nine Fine Irishmen. It’s been managed into a bad place. A dedicated staff and a manager who knows what an Irish pub should be like could fix this place in a heart beat. As it is, I won’t be back unless I hear something to suggest they fix the management issues.

Stop: 3 Ri’Ra’ at Mandalay Bay Hotel Casino. Now this is a fine Irish Pub. A little plastic Paddy, but in a good way. The North wall of the main pub was a series of glass cases filled with a veritable cornucopia of whiskies. Scotch, Irish, American and more. There had to be over 150 expressions (I didn’t bother to count) and the feel of the place was outstanding. The food was great and the Knappogue 1993 was a perfect paring for my lunch. This place had a more open feel despite the main bar being a long strip that lead back into a larger hall, the ceilings were high and the decorations did not mantle over you like a vulture. There is a side room behind the bar that has a very club like feel to it and would seat around 40 comfortably. The reason I mention this is that the idea has bee floated that in coincidence with the upcoming Practicum of the Sword next year. To that end I spoke with the assistant manager, who said I should speak with Mark McElkerny (who was on vacation) on the topic but that it may be something they would be interested in hosting for us. It would likely be more costly to go this route, however it may be worth it as they could provide the food and the whiskies to our direction, leaving us with just showing up and enjoying our own event. I’d likely still want to blather on about something or another regarding the drams etc, but I’m good with that. There is fairly easy access to this location from 6 of the strip hotels via a tram as well giving people a wide choice of hotels to stay in. Something to think about. More on that later I guess.

Stop: 4 (and final) Freakin’ Frog’s Whisky Attic and Prof. Adam Carmer. Next time. This one warrants its own entry.

Read on for Part Two here


Another PDXWhisky tasting event 8-12-2011

First off dear readers, great apologies for the delay in this recap of the recent PDX Whisky tasting event held at Ian’s house on August 12th, 2011. Because of the delay in writing this post, it will be less detailed than prior posts, as my recollection is a bit muddied now. I promise in the future to be more vigilant in my note taking, and subsequent write ups.

I do have an extra special gift for you all, however… multi-media! Yes, a picture… in a post even! Will the wonders never cease?

Compass Box Magic Cask

Ah, dear friends, if you know me (Seamus/Jason) or the 3DC at all, you know our fondness for John Glaser and Compass Box whiskies. So this past PDX Whisky tasting was a real treat for me. No, not because Ian had some Great King St. to share, but because he had a bottle of Magic Cask; a bottle I should note is unavailable in the US, as it was only released to our Canadian neighbors. Any chance I have to taste something I can’t get is a privilege, especially so when it is from one of my favourite producers of the lovely water of life.

A quote from “The Scotch Blog” regarding this bottling:

“The Magic Cask was a special release for the Liquor Control Board of Ontario (LCBO) and is only available in Ontario. Because John Glaser created this product as an experiment, he wasn’t quite sure what to do with it until the LCBO opportunity presented itself. Because Canadian whisky makers are allowed to use up to 9.09% flavouring (i.e. other whiskies like bourbon, wine, fruit juice, etc.), many don’t, but they can if they so choose, John thought this would be a good product for this limited Canadian release. “

Read on at the link for their tasting notes which you’ll see are a bit different from my own.

In typical PDX Whisky style, we had four bottles to taste (though we had additional once the main 4 were sufficiently discussed). Notes on the four, in the order we tasted are below:

Tasting notes:

.

Karuizawa, 15yr 40%

  • Nose: Hot, heavy sherry, moves into oak then immediately into a vanilla finish.
  • Flavour: Vanilla and Sherry into oak, then toast and corn.
  • Finish: mild toast with a distinctly corn finish.
  • Viscosity: 3
  • Boldness: 4
  • Length of Story: 3
  • Personal taste: C+

.

Compass Box Magic Cask – 17yr Linkwood, 14yr Brora, 46%

  • Nose: Begins with a little brine then hits you with a mild heat, finally some green olive.
  • Flavour: Spicy, a bit watery but hot, almost like a cut oaked rye.
  • Finish: Hot finish here with oak and a floral hint to toast, with a touch of brine on the back.
  • Viscosity: 4
  • Boldness: 4
  • Length of Story: 4
  • Personal taste: B+

.

Glenmorangie Finealta 46%

  • Nose: Iodine and brine
  • Flavour: Oak and toffee/caramel.
  • Finish: light green apple, but hot.
  • Viscosity: 3
  • Boldness: 4
  • Length of Story: 3
  • Personal taste: B-
  • (side notes: not worth the cost, forgettable)

.

Glen Spey 21yr 50%

  • Nose: light brine followed by chlorine, green vegetation into thin rubber followed by banana
  • Flavour: Banana into oak, then brine
  • Finish: Hot, mashed green banana.
  • Viscosity: 3
  • Boldness: 4
  • Length of Story: 4
  • Personal taste: B+
  • (side note: need to revisit)

.

Now, it should be noted that once we’d completed the ‘official’ tasting, is when things got a bit rowdy… my memory is a bit poor of the whole evening, but at one point, a bottle of “30 year old Chinese distillate” made its way out of the box and around the table. I will refer you to my wife’s tasting notes as she posted on Facebook: “Tasting notes – anise, bubblegum, Limburger cheese, stinky feet of an 11 year old girl. That shit was FOUL! http://t.co/KVqhUmi” followed by a clarification: “Chinese moonshine. 30 years old, apparently? J called it “challenging”. I worry about that boy.” And indeed it WAS challenging. Most/everyone at the table hated it; there was a permeating stink to it which makes me happy I didn’t spill any on me, but I wouldn’t classify it as bad per se, simply challenging. That said, I refused the bottle when I was told I was taking it home… so, you know, it was -very- challenging.

Thankfully there was still some Magic Cask to wash away the taste ;)


Aging my own whiskey: weeks 1, 2, and 3

Jason/Seamus here again… I know I missed a few weeks of tasting notes, so I’m playing a little catch-up to share what is happening inside my little 1.875 liter barrel from Woodinville Whiskey Co.

I last left off right at the beginning. I had just set two 750ml bottles down in the charred new oak barrel and began the process of waiting. I’ll tell you, that first week of not taking sips was tough! I was dying to see what the oak was doing minute by minute! I -was- however to steer clear of any tastes that first week, leading to a fun discovery on day 7 when I was finally able to pour a wee dram: Colour!

 

Pictures of week one:

Here are the tasting notes from week one (May 30th, 2011):

  • Colour: Light caramel colouring very similar to the levels of colour in Knappogue Castle and other lighter Irish whiskies.
  • Nose: Sweet and floral followed by a bit of iodine.
  • Palate: Toasty chocolate with a light oak. Woody, still mash heavy, but clean and hot.
  • Finish: Short story, as expected at this point. Finishes very clean with a mild caramel way at the end, almost as if the dram realized it ended its story too soon and came back to finish it.

 

Week two I ended up tasting two days early, and as I didn’t discern much change between the first week’s tasting and this one five days later, I opted not to write down my findings (really, I had no findings other than ‘no discernible change’).

 

Which brings us to week three (June 12, 2011):

  • Colour: Light caramel, again much like a light Irish whiskey similar though ever-so-slightly more rich than week one though barely even worth a mention.
  • Nose: Light oak notes followed by a heavier corn mash / rye spice overtone (which is odd since I don’t believe any rye is used in this distillate). Still young.
  • Palate: Initial sense is of the corn/wheat/barley mash, moves into a light oak with a brief bitterness in the middle reminiscent of week one’s bitterness, only slightly more muted.
  • Finish: sweet and hot. Not as clean as week one with the mouth-feel imparting more lingering oils.

 

Since week three was a slight disappointment in terms of changes seen (not surprising mind you, but I was hoping none-the-less), I opted to cut another taste with water at a 1 part water to 2 parts whiskey ration to bring it down from the 110 proof to a more reasonable 80 or thereabouts.

  • Nose: Floral notes become more evident after cutting. In this case the water really did ‘bloom’ the dram and coaxed it enough to release those florals.
  • Palate: Still hot, but with a diametrically opposed watteriness. The alcohol bites, but the rest of the dram tastes thin now. Only hints of toast followed by the mash again.
  • Finish: back to the clean finish of week one with greatly reduced oils, but still a big alcohol burn to contend with.

 

So there you go. At this point I think I will sit on this for a while before coming back to taste again. Woodinville indicates a finished product in 3-6 months, so I’ll likely cut down the frequency of tastes to once a month at this point in order to keep enough distillate in to actually fill a bottle when the process completes! Of course I’m also starting to think ahead of this run and see what I may change and do differently in the next run… my main idea being use of a different distillate…

 

 

If you’re dying for even MORE whiskies related content, you can also check out the 3DC’s “Whiskies News & Reviews Daily” over on paper.li: http://bit.ly/k3XNbj It is a GREAT way to stay abreast of all the cool things going on in the world of whiskies!

 


Part the second: Out of character – A whiskey guy goes wine tasting

So, we were at Evening land. Right.

This store was, while still in a dull grey warehouse, considerable better presented once you were inside than Fiddlehead. They had pleasantly Dim lighting and flowers in glass plates with rocks and water, display on a side table with some of the restaurant house wines they produce and the tasting L shaped cloth covered table with their own label wines on offer this day. (They had a much larger bit of warehouse space that would allow for this but that is neither hear nor there). Over all a nicer atmosphere than the first if you like classy joints, I’m impartial myself. They also had a $10 tasting fee and 5 wines uncorked. The odd bit about this one was that the lady running the store front needed to run an errand and the couple who’d arrived just before me had stopped her from getting in her car, now illegally parked right in front of the tasting room door. Apparently the couple were regulars and after I’d tried my first wine with the proprietor they offered to take over the pour for her and let her run her short errand which the proprietor accepted and scurried off leaving me with the other customer’s in charge. Not the strangest bit of decorum I’ve run into in the spirit industry but still a bit odd with the cash register just sitting there and all.

Since I was not in the hands of anyone working the shop professionally I contented myself with small talk about wine and whiskey and reading/discussing the tasting notes. As it turned out the woman pouring for me had a son who was enamored of whiskey and so I was exchanging my knowledge base for hers. They were heading up to the Portland area in a couple months and so I told them to keep on a look out for the micro whiskey distilleries that have been cropping up up there that Jay has been telling me about though the only name I could recall was Hog’s Head. The wines themselves save the first one, a 2009 Chardonnay – Borgogne Blanc (Blue Label) was the only one I actually liked at all and the others were not worth me noting down, so I didn’t. This company specializes in bottling house wines for various restaurants working directly with them to tailor the flavors to the dishes. Cool and all but I was hear to try something avant garde not what ever W. Puck was putting on the table. These were wines I’d tasted before and the reds were way too full of tannin flavor for me to deal with. This was not the place for me. They did however have a laminated map of the Wine Ghetto on the table which after a quick glance over I saw something of promise; “Flying Goat Cellars“.

I hopped in my car and drove half a block to another equally dull and grey warehouse with a poster depicting a purple square and a black goat jumping off the ground on the door, parked and walked in just 20 minutes before they were to set to close.

Despite my poor timing, the lady running the shop was friendly if obviously short on time and walked me through their 5 uncorked bottles. The decor was relaxed and a compromise between the first two shops. This one the decidedly more rustic of the three and most comfortable as it was at least twice the size of the first. Similar conversations took place as were had at Fiddlehead regarding me not particularly liking wine and preferring whiskey in general but being there to learn and so I did. We fairly quickly ran through the offerings, most of which were quite good to my pallet though my tasting notes seemed to have stopped at the last shop (and the fact that I’d stopped spitting when I got to the Goat Shed) as we were rushing a bit. I ended up getting a bottle of Pinot Noir, Solomon Hills-Santa Maria Valley, 2007 as a gift for Adrian as this was probably the most complex flavor profile of any of the 15 bottles I’d sampled this afternoon and had some characteristics and spice notes that made me think of some Speysides I’ve enjoyed over the years. I got nutmeg out of it, but hey that’s with my poor pallet. She corrected me saying “Cinnamon” but that she respects my pallet. I told her; “My pallet has been calibrated and was broken so there was no respect needed of it.” We laughed and I payed my $10 tasting fee and bottle price. I inquired after the name of the cellars and she said her husband, the blender / bottler used to have dwarf goats who had a tendency to climb up and jump off stuff. That’s a good a naming story as I’d like to have so I said my goodbyes. I went out my car right at her 4PM closing time and buzzed off to pick up Ginger and drive on over to the house to meet back up with the wake.

In quick summery; The 3DC tasting notes work quite satisfactorily on wine and I think could readily, without altering any significant alteration, be applied to this segment of the spirit industry. Fiddlehead had the most interesting and compelling expressions and were the most refined on my pallet save the bottle I bought for Adrian at Flying Goat Cellars. Evening Land had the classiest tasting room but lacked inspiration (to my pallet anyway) in the bottles. Flying Goat had good heart and love of the craft that showed through in their expressions even if most were not quite as sophisticated as Fiddlehead but in the end they got my money.


Out of character… A whisky guy goes wine tasting

Raz posting here (a rarity, I know):

So, I did something odd on Friday; Wine tasting.

After going to a morning funeral (for a dear sweet lady who welcomed us without hesitation into her family) and associated wake in Lompoc, CA. Ginger was feeling wiped out so I took her back to the motel. The Family headed back to the house and Casey went along with her Grand Parents while I took Gin back. I didn’t need to get straight over to the house and I’d seen on James May’s wine show recently something about a wine ghetto in town. I happened to have seen a sign directing us to where it was on the way into town earlier that morning and I needed to get Adrian a present too. Further I’d been toying with the concept that the 3dc tasting note format should work equally well with other spirits et. al. and I had my notebook with me as I’d not taken it out of the suit case since WOW last year. Thus all things seemingly lined up to accommodate the whim, I decided to give a go at a wine tasting, alone.

I drove back to the other side of town and turned into the industrial complex behind the Home Depot where Hwy 1 dumps into the South Eastern side of town. There in these bland blue-grey corrugated warehouses are around 12 boutique wine makers / blenders / bottlers that are treating the wine industry much the same way John Glaser seems to be going at the Whisky biz. I did not remember the specific one James May visited (though I would have liked to from the interview on the show, as they seem like 3dc peeps) so I drove about and sort of randomly picked a street Packard to follow into a tasting room.

First I went into Fiddlehead Cellars. A very congenial Kiwi stood behind the bar. By bar I mean a simple couple planks of wood on some barrels with the typical wine racks behind him for selling what was on sample in a room about 10′ X 15′. Friendly, but definitely not fancy. He handed me a tasting sheet and let me know that there was a $10 tasting fee and asked me a few questions as he poured me some wine into a glass. The conversation went something like this:

FH-Q: What kind of wine to you like?
Raz-A: I don’t really like wine; I’m a whiskey drinker, but (setting my tasting note book on the bar) I’m hear to learn.

FH: Well we do Sauvignon and Pinots exclusively so we’ll teach you about those.
Raz-A: OK then.

The first glass was the Sauvignon Blanc 2008 from a mix of barrels and stainless steel aging. It was a very sweet wine but not cloying. Not particularly dry, just the kind of deserty drink I usually go for. The second was the Honeysuckle 2005 put in all new oak aging. This was dry and clean, very light and subtle, especially in regards to tannin (which I hate). I liked this one as another deserty, though much dryer drink than the first. The Gooseberry, all Stainless Steel aged Kiwi wine was then poured. this was not particularly to my taste and though sweet and a bit sour was a bit too much like a candy from the 70s (that I can’t recall the name of). Next on pour was the Pink Fiddle Pinot Rose’ thing. Not really to my taste, very dry and oddly tasted “pink” whatever that means. Lastly was the 728, a Pinot. This was about the best of the lot for me personally. Very complex long flavor profile and despite the deep red color the tannins were very subtle. The most subtle tannins of any of the reds I had that day from any of the shops. This was by far the best overall quality, by my standards anyway, of the three shops I popped into.

Next post will be the next shop in line; Evening Land.


A wonderful whiskies centered weekend

This past weekend I had the pleasure of volunteering to help bottle over at Big Bottom Whiskey in Hillsboro, Or.  In just about 2 hours time, 6 of us had 58 cases of bourbon bottles stickered, filled, corked, capped, and boxed. Not too shabby, considering two of us had zero prior experience. Ted, the owner and all around great guy, placed me at the corking station while Jean held down the ‘capsule’ station placing the shrink-wrap tops on the bottles after I corked them. I won’t lie, manually corking bourbon bottles takes a toll on your hands. The whole crew really rocked it: Ted’s wife Taylor took the heat shrink station, Aaron took the filling station while Ted prepped the bottles for filling and Liz ran double duty placing the stickers and helping Taylor load the bottles into the cases. For such a small crew, I have to say we were efficient and effective in knocking out nearly a full palette’s worth of whiskey!

The day was productive and it was great to be able to help a small local business and local whiskey guy. Supporting the community of producers is important to me as there aren’t many people focused on whiskey and without support no one in the community can grow. But beyond lending my support to what Big Bottom is doing, it was really just fun to spend a few hours with people who are truly passionate about the industry, have decided opinions, and love talking shop. Being able to spend time talking about whiskies, comparing notes, learning about the business side of things, and just learning more about whiskies in general was truly the highlight for me.

Even better was the fact that Ted asked me to return at a later date for some more in depth tastings than the two we got to after our work was done on Saturday. We had some small tastes of the 3 yr bourbon which we had just bottled up, as well as the 2 yr port finish which had been on the wood for 7 months… spectacular! (I’m telling you again, if you can find the port finish buy it all, and then buy it again when the next batch comes out! You won’t be disappointed.) I am really looking forward to seeing what this next port finish batch produces. If the 7 month taste was any indication, it will be even more subtle yet complex than the first batch Big Bottom bottled up. Good stuff is on the horizon!

I even got some good advice from Ted which I was able to immediately implement when I returned home on Saturday…. but we’ll get to that in a moment.

It seems that every blog thus far in which I have spoken of Big Bottom Whiskey also includes mention of Woodinville Whiskey Co. and I can’t help but find that amusing if not wholly coincidental. This case is no different, as Sunday I put their “Age your own whiskey” kit to (hopefully) use. Well, maybe that is a slight misdirection, as I really started the process the prior Thursday….

I picked up my kit Thursday afternoon from Downtown Lake Oswego Liquor (at that time they had 3 other kits in addition to the one I purchased) and brought it home with the idea that I’d get around to it over the weekend.  (I am sure you can see where this is going. ;) )  I dug into the instructions, figuring I’d at least learn what I needed to do to get the most from this kit. Silly me, I should have known… I’d have to swell the cask to seal any cracks and make it liquid tight before I could add the distillate to begin aging. Thankfully I started reading in advance, as this swelling process takes 2-4 days! So, I started the initial steps by filling the cask with water, as directed, and waited…

While I waited, I took a longer gander at the kit, which includes not only the cask and two 750ml bottles of White Dog, but 2 tulip style nosing/tasting glasses, and of course a funnel to fill the cask. Since the cask is only about 2 liters large, the funnel is rather small in order to easily fill it. Imagine the same sized funnel you’d use to fill a flask and you’ve got the right idea here. The kit is actually really well put together and the included instructions are very well written; clear, concise, easy to understand explaining some of the “whys” not just the “whats”.

Now, I did say I got some great advice from Ted. As we worked our way through the bottling on Saturday I’d mentioned I picked up this kit earlier in the week and had the cask swelling presently. This is when he hit me with a question I hadn’t thought of: “How long are you going to let the cask rest after dumping the water and before filling it with whiskey?”

Oh…. um. Well I hadn’t really thought of letting it rest as I didn’t want to run the risk of the cask drying and re-introducing leaks. And here is where Ted’s advice came in to play: “Let it rest/dry for 24 hours, otherwise you’re going to introduce too much water into the whiskey.” You know it seems perfectly obvious now, but I hadn’t even thought of that until he’d mentioned it. And with our Oregon humidity, I don’t really run any risk of the cask over-drying in 24 hours.

So, once we’d finished bottling and returned home, I dumped the water from the cask noting there had been no leaks past the first five minutes after I’d filled it (and kept it filled for the next two days). And then I just let it rest until Sunday.

That was a very long 24 hours. Perhaps I’m not the best person to try his (novelty) hand at aging whiskies after all… Sunday came, and I popped open the two bottles of White Dog. Luckily I was thinking while pouring and stopped after the first bottle so I could have a quick taste of the unaged spirit I was about to play with.

Tasting notes: Woodinville Barreling strength (110 proof) White Dog

Nose: Mild caramel sweetness. Heavier vegetation sweetness. Retains the smell of the mash even after distillation.

Palate: Heavy vegetation sweetness. Slight bitterness of the corn/rye mash comes through. Surprisingly heavy note of Anise.

Finish: Almost floral in tone. Light and clean, but very hot at 110 proof.

The cask itself holds about 2.5 bottles (750ml each), so there was a little ‘head room’ in the cask when I was done filling it. I replaced the bung, and set the cask in my pantry, atop my wine fridge where it sits just waiting. I do expect to lose some ‘angels share’, possibly a tad more due to not a complete fill of the cask. All told I figure I’ll likely get one full 750ml bottle, and a second 500ml fill from the two bottles I added to the cask.

And now the waiting really begins. Luckily for me, the smaller cask size actually accelerates the aging process due to larger surface area contact with the wood. The small 2 liter cask size roughly translates into an aging factor of 53 times faster than a normal sized cask. Because of this, the cask should begin imparting flavour and nose qualities within the first week of aging. Each week nearly acting like a relative year in a larger cask by my estimation. So, as you’d expect, I’ll be having a small taste every week and writing down my notes to contrast from the beginning distillate to the present week. I’m not sure when I’ll stop and rebottle, but I figure it will likely be after 3 weeks of no discernible change in flavour. That may come early in the process, or possibly months to a year from now, we shall see.

This is turning into quite a fun experiment, where I can really taste how the oak changes a whiskey from week to week… I’m really looking forward to this coming weekend when I get that first taste on oak and can report back my tasting notes to show what changes have occurred…

Until then, sláinte mhaith

-Seamus/ Jason